press and shows
exhibitions
Signs. Italian contemporary graphic design, curated by Francesco Dondina. Base Milano, 9 november – 20 december 2016
High Up. Graphic Design Around Town,curated by Marina Pugliese and Geoff Kaplan, Milan-San Francisco, april-june 2016
Italian Poster Biennial, Finale Ligure, 12 october – 20 november 2013
4° Plaster festival, CSW Toruń (Polonia), may 2013
Grafici mobili, 121+ bookshop, Milan, april 2013
Contemporary Italian Social and Cultural Communication Design, curated by Cristina Chiappini and Alexandra Sankova, Macro La Pelanda, Rome, september 2011
Contemporary Italian Social and Cultural Communication Design,curated by Cristina Chiappini and Alexandra Sankova, Krasny Oktyabr Gallery, july 2011
150x150x150, curated by Mario Piazza, Graphic Fest Civitanova Marche, may 2011
La mano del grafico, curated by Pietro Corraini, Villa Necchi Campiglio, Milan, april 2011
Spaghetti Vespa Typography, curated by Antonino Benincasa, Budapest Design Week, october 2010
articles and publications
High Up. Graphic design around town, in 365 Typo 2, 2016
ADI Design Index, 2015
Spaghetti Grafica 2. Contemporary Italian Graphic Design, Electa, 2009
Tempus Fugit, world’s best calendar design, edited by Bildi Graphics, Index Book, 2009
Nullaosta. Grafica, confini, relazioni, Aiap edizioni, 2009
Susanne Schaller, Variety is in the fine detail, Alizarina’s multi-faceted design projects, Novum 11/2008
étapes international, n. 14, 2008
Spaghetti Grafica. Contemporary Italian Graphic Design, DeAgostini, 2008
L’object che non c’è, Impackt, 1/2005
Caratteri e comunicazione visiva, Fabrizio M. Rossi, 2004
Aiap Community 0.1, 2004
ADI Design Index 2004, 2003, 2000
Italic 1.0, Soucasna tvorba pìsma v Italii, Typo n.10, 2004
Nuovi caratteri italiani, Linda Eerme & Robin Kinross, Domus n.860, june 2003
Italic 1.0, contemporary type design in Italy, Baseline n.42, 2003
Sognare su un libro da tipografi, Marco Belpoliti, Alias n.27, 26.4.2003
Il disegno di caratteri italiani negli ultimi anni, Graphicus, dicembre 2002
Dot-font: A New Slant on “Italic”, John D. Berry, creativepro.com, 2.12.2002
È il font che fa la lettura, Maurizio Vitta, Il Sole 24 Ore, 24.11.2002
Tipi di carattere, D La Repubblica delle Donne, 16.11.2002